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Tom Cole

Tom Cole is a senior editor on NPR's Arts Desk. He develops, edits, produces, and reports on stories about art, culture, music, film, and theater for NPR's news magazines Morning Edition, Weekend Edition, and All Things Considered. Cole has held these responsibilities since February 1990.

Prior to his work with the Arts Desk, Cole worked for three and a half years as an associate producer for NPR's daily classical music program Performance Today, and also for Morning Edition, where he coordinated, edited, and produced arts and culture stories.

From April 1979 to July 1986, Cole worked for NPR Member station WAMU-FM in Washington, DC. He was the production manager for the daily operation of studios, and also served as a reporter, writing and producing music features that were broadcast locally and nationally. In addition, from October 1985 to November 1986, Cole worked for Voice of America as a producer for VOA Europe.

Since 1977, Cole has been the host and producer of a weekly three-hour program of music and interviews broadcast on public radio station WPFW-FM in Washington.

Over the course of his career, Cole has produced or collaborated on a number of public radio projects. He co-edited the Peabody Award-winning NPR documentary, "I Must Keep Fightin': The Art of Paul Robeson." He was also an advisor, contributor, and co-editor of the Peabody Award-winning series, "The NPR 100," the top 100 songs of the 20th century.

A native of Washington, DC, Cole has studied classical guitar at The American University and privately. He also studied comparative literature at Catholic University in Washington, DC, and at Grinnell College in Grinnell, Iowa.

The song sometimes called the "hippie national anthem" can be found in all kinds of places. It's been used on The Simpsons and in Forrest Gump, recorded dozens of times by the likes of The Kingston Trio, The Dave Clark Five, Jefferson Airplane, The Staples Singers and the Carpenters (twice). You may have even heard it in a Walmart commercial a few years ago.

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(SOUNDBITE OF JOHN ABERCROMBIE'S "BACKWARD GLANCE")

ARI SHAPIRO, HOST:

Thirty years ago this week, an unknown filmmaker walked into a club in Washington, D.C., with a videotape in his hand. It was one of those nights when anyone could screen their work ... but this was the first public screening of a short documentary that's gone on to become the very definition of a cult classic.

Musician and composer Frank Zappa was a lot of things: biting satirist, ferocious critic of societal norms, outspoken defender of free speech. He saw himself as not only an entertainer, but also a serious composer. And he saw no contradiction in being all of these things at once, to the consternation and confusion of the many journalists who interviewed him.

"I consider the guitar as this sort of multi-faceted instrument," says Janet Feder, "that can make and do all of these other things."

Chime like a bell, or gong, buzz like a locust, or rattle and hum.

It seemed as if he'd go on forever — and B.B. King was working right up until the end. It's what he loved to do: playing music, and fishing. Even late in life, living with diabetes, he spent about half the year on the road. King died Thursday night at home in Las Vegas. He was 89 years old.

This year saw the reissue of two vintage albums by Fleetwood Mac: the hugely popular Rumours,and the last album to feature the band's founder, Peter Green, called Then Play On.

"I think it's one of the most beautiful records and exciting records ever made," Rolling Stone senior writer David Fricke says. He wrote the liner notes for the reissue.