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Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

This week's show is made possible by a generous amount of existential anxiety. This includes the ego-destroying rock anthem "I Don't Matter At All," from the Toronto band Pkew Pkew Pkew, and an epic life manifesto from Amanda Palmer called "The Ride" – a ten-minute oration about the crippling effects of unbridled and rampant fear.

Kurt Vile exudes a casualness at the Tiny Desk in his style and body language that is so unlike most anxious artists who come to play behind my desk. Sure, he's done this Tiny Desk thing before, with Courtney Barnett.

On this week's show, artists battle their inner demons – the kind that come out a night when you're alone in bed, trying to find sleep – speak truth to power, celebrate love, dig into complicated characters with troubled pasts and much more.

This includes a kind of demented nursery rhyme from singer Billie Eilish; the London-based duo Tender and their deep reflection on ruinous self-indulgence; and producer T Bone Burnett's new album with a prayer to overcome fear.

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Today, the great young, American singer Lucy Dacus

Fifty years ago today, on Jan. 30, 1969, The Beatles gave what would be their final concert. And on this special episode of All Songs Considered, we talk with someone who was there: Ken Mansfield wrote and just released a new book on this life-changing event called The Roof: The Beatles' Final Concert. Mansfield was the U.S.

On this edition of All Songs Considered I'm joined by Marissa Lorusso, our Tiny Desk Contest leader and also a critical contributor to NPR Music's Turning the Tables project.

Editor's note: This page has been updated to include more of the conversation between Bob Boilen and Ezra Koenig.

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Andrew Hozier-Byrne has a new album coming in March. His second album, called Wasteland, Baby!, is his first full-length record in four-and-a-half years.

It's been a minute since we got together to share some all-new music – not since our Nov. 6 show of last year, in fact.

Aaron Lee Tasjan arrived at the Tiny Desk in his fashionable ascot and mustard-colored shirt, sporting reflective, red, rounded sunglasses and mutton chops. As he warmed up, the sound of the middle-and-late 1960s came through his seagreen, Gorsuch 12-string guitar while his voice felt both familiar and fresh. This buoyant, East Nashville-via-Ohio soul and his fabulous band have a knack for channeling Paul McCartney, Tom Petty and The Kinks.

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