Tim Greiving
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The movie Hook is now a family favorite, in spite of weak reviews when it came out in 1991. Originally intended as a musical, the film's demo songs are now available in a new recording.
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The Exilarte Center in Vienna is the world's leading research institution devoted to preserving the work of composers such as Walter Arlen and others, who were exiled or killed during the Holocaust.
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Prey, the new prequel to the 1987 blockbuster Predator streaming on Hulu, features a sophisticated soundtrack influenced both by Native cultures and video games
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John Williams' score was, true to form, unforgettable — as Jeff Goldblum remembers in an interview with NPR.
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Tamar-kali, who composed the music for Mudbound and Shirley, has a new project: an opera that you can watch online.
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The National frontman Matt Berninger and his wife Carin Besser wrote the lyrics, and twin brothers Aaron and Bryce Dessner scored the movie.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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Composers of color have long had to compete with dead white men for space on the concert stage. A new project, spearheaded by Rachel Barton Pine, seeks to correct that for the next generation.
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His sound has helped define David Lynch's work since Blue Velvet and was an essential character in the original Twin Peaks. Now, Badalamenti and Lynch are reuniting for the show's revival.
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Writing music for The Good Dinosaur was a seven-month journey for brothers Mychael and Jeff Danna, not all of it glamorous.