KNBA - KBC

Marissa Lorusso

The artists who attract me the most are those who are on the rise — artists whose popularity is mostly a small, dedicated circle of fans but growing. That's certainly true of the Shreveport band Seratones. They're putting out their second album later this summer and, from the sound of this potent new title track "Power," it's clear they'll find a bigger fanbase.

Melina Duterte writes jangly and emotionally-complex guitar-pop as Jay Som; her debut album, Everybody Works, was one of our favorites of 2017. Today, she's back with new music.

Punk rock might be a relatively young genre, but the legend of its history has already become more or less solidified.

Ask what makes punk punk and you'll probably get a story that starts in 1970s London, or maybe New York; you'll get The Sex Pistols, The Ramones or The Clash; counterculture, anti-establishment and leather jackets.

Between 1997 and 2000, a band from San Jose released two albums, an EP and a couple 7"s of slow, spacey rock, then more or less vanished. Not that the disappearing act took much effort. Duster wasn't exactly a band with a public presence, playing few shows, lending few interviews and releasing little information about its members. The members of the trio went on to play in other bands and work on other projects. In 2000, the founder of Up Records, who released Duster's music, died; operations at the label ended shortly after, and Duster's records went out of print.

Panic attacks are no joke. Rick Maguire, lead songwriter for Pile, learned this recently. While preparing to move and getting ready to write Pile's new record, Green and Gray, Maguire tried to go to bed one night and instead found himself "in the pitch black, in a way looking at myself and my position to the rest of the world, physically, psychologically and spiritually, and feeling this overwhelming anxiety," he tells NPR Music. He was, in other words, having a panic attack.

On this week's All Songs Considered we premiere new music from Aldous Harding. The artist from New Zealand made my number two album from 2017 (Party) and her latest song, "The Barrel," indicates that she'll be another year-end favorite of mine in 2019.

On this edition of All Songs Considered I'm joined by Marissa Lorusso, our Tiny Desk Contest leader and also a critical contributor to NPR Music's Turning the Tables project.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple Music playlists at the bottom of the page.

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There's a sense of voraciousness in Sasami Ashworth's musical resumé.

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