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Watch the Canadian indie supergroup play ecstatic, harmony-laden songs from its new album, Brill Bruisers, in a one-night-only concert at New York's famed Brill Building.

It makes cosmic sense that Temples' debut album arrives at the height of the current nostalgia wave associated with the 50th anniversary of Beatlemania and the British Invasion. The young English band weaves its classic inspirations into crazy-beautiful, richly idiosyncratic music.

The metal band mixes existential rage, slow-moving sludge and elegant melodies on an album-length examination of the ego.

It appears to be required by law that every indie-rock band of the '90s must reunite at some point. So we might as well see the return of a great one, right?

On its first new album in 14 years, Hot Snakes delivers a collection of 10 bent and bruised punk songs alive with the sound of an itch impossible to scratch.

Smash Mouth has recorded a new acoustic version of its 1997 debut album Fush Yu Mang. The 1990s ska-punk staples talk about songwriting, fan mail and all those "All Star" memes.

The Felice Brothers' folk-rock sound and vision has matured and focused, and the band does its best at making sense of our modern times.

The Detroit post-punk band's third album simmers, ponders and haunts while dripping venom. The Agent Intellect represents a huge step, both upward and inward.

Alan Palomo says he deliberately took his time making his band's latest LP: "At some point I was just kind of like, 'I don't want to spend my 20s in a van."

Walker has developed into a thoughtful singer-songwriter who follows a tangled thread, evoking the '70s, when unplugged music could pick the body electric.