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Mother, Matriarch And Mentor
There really was no precedent for Maybelle Carter, who learned to play from her own mother and spent much of her life teaching her children — as well as generations of country stars that followed.
6/9/14 KNBA News - Alaska job growth slows due to cuts to government spending
The owners of the Red Dog mine in northwest Alaska will pay a fine rather than pipe treated wastewater past a village, which the company says is not…
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4:48
NPR Music's 35 Favorite Songs Of 2018 (So Far)
Writers from across the public radio map pick the best songs they've heard this year.
Brian Wilson, the troubled genius behind The Beach Boys, has died at age 82
The Beach Boys' co-founder, songwriter and producer transformed pop music into high art and became America's answer to The Beatles' Lennon and McCartney in the process.
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5:11
6/10/15 House and Senate negotiators reach agreement on one part of state budget
House and Senate budget negotiators yesterday reached agreement on one part of the state budget before them. They agreed to fully fund the per-student…
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5:06
Hear The First Track From The Messthetics' Debut, Featuring Fugazi's Rhythm Section
Fugazi's Brendan Canty and Joe Lally have combined with D.C. guitarist Anthony Pirog for a power trio with an eye towards punk reinvention.
Snail Mail: Tiny Desk Concert
Snail Mail's sleepy songs have a way of waking you up. Watch the band perform music from its quietly stunning Habit EP, plus a new song played solo by Lindsey Jordan.
Review: Martha, 'Blisters In The Pit Of My Heart'
The British pop-punk band writes songs from the perspective of social misfits, while remaining devoted to providing a voice for anyone who's felt like an outsider.
Review: Beach Slang, 'A Loud Bash Of Teenage Feelings'
On its new album, the Philly rock band rattles the rafters with grace, power and concision. These are songs by and for the alienated, out-of-place, searching and otherwise disconnected.
Review: Windhand, 'Grief's Infernal Flower'
The Virginia metal band's third album transcends era and genre, thanks to the group's ear for deceptively infectious songwriting — not to mention Dorthia Cottrell's gutsy, hypnotic voice.
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