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"Blues Festival," from an upcoming split 7" with Deal's band R. Ring, is full of universal truths. In true Protomartyr fashion, they each begin with the word "don't."

At the 9:30 Club, the band obliterated its own timeline by demonstrating a catalog that is always present, always on fire.

If you're a fan of dark, incredibly dry, wry humor, you've just found Happyness. Watch the London trio perform three songs that enchant and lull, even as they jar you with their quirkiness.

On this week's episode, we share new music from the producer Daniel Lanois, a previously unreleased track from a Bedhead box set, solo material from Phil Selway, and recent discovery Niagara.

Hear a gorgeous, desert-swept shoegaze track from the Tulsa band, which features members of Unwed Sailor and Ester Drang.

Compact and intense, the New Jersey band's songs channel the spirit of punk, but also the density of heavy rock that's had the fat cut out.

Hear the Richmond black-metal band get a haunting vocal assist from Windhand's Dorthia Cottrell in the 11-minute "Lantern at the End of Time."

The L.A. band's swirling sound is full of mysterious buzzes and coos, and there's a sense of everything-in-its-right-place grace and impeccability to it, yet the songs themselves never feel icy or distant. Warpaint's self-titled second album feels fashionable, sure, but not at the expense of approachability.

The German band's collage-based sound brims over with buzzing, springy, playful urgency. Bathed in electronics, Acher's softly accented vocals land like late-night affirmations from a trusted friend.

The Japanese band takes a trip through psychedelic boogie, floating acid-folk and laid-back funk in the genre-skipping, eight-minute track.