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Isabel Greenberg's new Encyclopedia of Early Earth weaves a human love story into a quasi-Biblical creation tale, full of capricious gods, feckless shamans and more-or-less doomed love. Reviewer Glen Weldon says the graphic novel is full of tasty visual gags, and "lands with an emotional impact you likely won't see coming."

Why would anyone remix one of the most important and influential albums of all time? Giles Martin explains how and why he did it for Sgt. Pepper's Lonely Hearts Club Band.

A rock 'n' roll lifer says goodbye on his own terms.

Critic Lester Bangs once declared progressive rock "musical sterility at its pinnacle." David Weigel, author of The Show That Never Ends: The Rise And Fall Of Prog Rock, begs to differ.

As the studio turns a decade old, Daytrotter has moved out of its spot above a pizza joint to new digs in Davenport, Iowa. It's hosted sessions with Wilco, Glen Campbell, Naughty By Nature and more.

Now 17 years and seven albums into its existence, Luminiferous reaffirms High On Fire's consistent mastery of heavy metal.

Wes Schultz and Jeremiah Fraites of The Lumineers break down the three generations of addiction depicted in the band's latest album, III.

How did an Australian band with no hits, modest media coverage and a ridiculous name find a massive audience? The group's metal-forward new album is a perfect example of how it weaponizes niche.

This summer has seen plenty of worthwhile jazz, including a pianist who's been around since the '50s, a Caribbean jazzman, a band of deliberate melody, and a cover from The Jungle Book. Sample recordings from Harold Mabern, Etienne Charles, the band Black Host and Lauren Desberg.

On The Ballad of Darren, the band's ninth album (and a surprise after years away), Damon Albarn and company understand the key to aging gracefully is noticing the things your younger self never could.