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Summer TV Preview: Which Shows Are Worth Staying Indoors?

O.J. Simpson at a press conference in 1975; a new ESPN documentary series charts his rise and fall.
Mickey Osterreicher
O.J. Simpson at a press conference in 1975; a new ESPN documentary series charts his rise and fall.

Summer is always a weird time for the TV industry.

These days, in a #PeakTV world where hundreds of scripted shows air every year, there is no downtime. Which means viewers will see a dizzying number of new and returning TV shows this summer on broadcast, cable and online — close to 100 series, by my count.

But summer is still a time when most of America eases up on its couch potato habits. So lots of television outlets try to look like they're serving up high quality series and shows, while actually using the summer to experiment or burn off stuff that didn't turn out well enough for the heart of the TV season, fall and spring.

... if you waste a single second watching the 'Uncle Buck' remake, you only have yourself to blame.

Last year, that approach gave viewers some serious summertime gems in USA Network's Mr. Robot, HBO's Ballers, AMC's Humans and TV Land's The Jim Gaffigan Show. But this year, the pickings are slim.

Thus far, I haven't seen a single new show for this summer to match the impact of those programs. But there are some admirable efforts. Here's a look at what's coming, ranked from best to worst, so you can maximize your own binge-watching time — so if you waste a single second watching the Uncle Buck remake, you only have yourself to blame.

O.J.: Made in America, begins Tuesday 6/14 on ESPN

Just when you think FX's American Crime Story told everything you might want to know about O.J. Simpson's rise and fall, along comes ESPN with the best televised examination of this case yet. It's an extensive, five-part documentary ranging from Simpson's late-1960s success in college football to his 2008 conviction in Las Vegas on robbery and kidnapping charges. Along the way, Made In America connects Simpson's tragic arc to our own conflicted, contradictory notions about race, gender, fame, spousal abuse and much more.

The centerpiece is, of course, Simpson's 1995 murder trial. The documentary features one juror who contends her acquittal vote was payback for police escaping conviction in the beating of Rodney King. They interview Simpson's former agent, Mike Gilbert, who is now convinced he helped Simpson get away with murdering ex-wife Nicole Brown and friend Ron Goldman.

As the story progresses, we see Simpson morph from a sports star-turned-showbiz icon who distanced himself from black culture to a disgraced-if-acquitted murder suspect who turned to the black community when white America discarded him. Exhaustively reported and deftly told, this project proves the value of re-examining momentous cases with decades of distance. Only in that light, can you see how the fall of one of America's most celebrated athletes also highlights our struggle to transcend past misconceptions about racial prejudice, policing, spousal abuse and the corrosive nature of fame.

BrainDead, premieres Monday 6/13 on CBS

Consider this Hollywood's primal scream about our out-of-control political process. Developed by The Good Wife creators Robert and Michelle King, this is an absurdist drama about political gridlock caused by alien bugs that worm their way into politicians' brains — and control them. Tony Shalhoub shines as an alcoholic Senator who finds new purpose once the bugs take over, getting him off alcohol and turning him into a charismatic, health-obsessed power broker.

But the tightrope between savvy political drama and wryly funny sci-fi horror thriller is a tough one to walk, and BrainDead too often falls off the wire. Also, tempting as it is to believe that the out-of-control partisanship which prompts a government shutdown could be engineered by alien bugs, the sad truth is, we have no one to blame for our political messes but ourselves.

Animal Kingdom, premieres Tuesday 6/14 on TNT

<em></em>TNT's <em>Animal Kingdom</em> doesn't quite live up to the promise of a solid cast — including Ellen Barkin, Scott Speedman and Shawn Hatosy.
TNT's Animal Kingdom doesn't quite live up to the promise of a solid cast — including Ellen Barkin, Scott Speedman and Shawn Hatosy.

This had all the makings of a blockbuster summer TV series: Namely, Ellen Barkin as Janine "Smurf" Cody, the sexy, hardnosed matriarch of a California crime family that includes hunky Scott Speedman as the thief with a heart of gold and Southland alum Shawn Hatosy as a borderline psycho son with a hair-trigger temper. But, even though it's based on the hit 2010 Australian film, Animal Kingdom fails in a few important ways.

There's no character in a sea of tough guys, girlfriends and wayward family members that you really care about. Peaky Blinders alum Finn Cole plays Smurf's 17-year-old grandson as a maddening cipher; reunited with the family when his mother dies of a drug overdose, he's our window into exploring their twisted world. But he's also checked out to the point of lethargy, like a laid-back surfer dude on too much Valium. So the character the audience is supposed to care about most seems to care about nothing, which leaves a gaping hole in the middle of a promising story.

Uncle Buck, premieres Tuesday 6/14 on ABC

Mike Epps as the titular Uncle Buck in ABC's reboot of the 1989 John Candy movie.
Tyler Golden / ABC
Mike Epps as the titular Uncle Buck in ABC's reboot of the 1989 John Candy movie.

The fact that ABC pushed this reinvention of a 1989 movie to air this summer instead of spring — it was initially supposed to be a mid-season comedy — should tell you everything. The John Candy film about an unemployed slacker watching his brother's suburbanite kids has been reinvented as a sitcom with an all-black cast, featuring Mike Epps as Uncle Buck. But it's tough to cast a middle-aged black man as a slacker on modern TV without regurgitating all sorts of awful stereotypes, and the pilot episode wheezes under the effort to make Buck — ugh, even the character's name feels weird when applied to a black person — seem unconventional, but in reality, Buck is a step backward.

ABC should have given Epps — a passable comic with a real talent for TV acting — his own sitcom, free from connection to a movie that was already made into a TV show back in 1990 (yeah, I barely remembered it, either). What the network has produced is surprisingly charming in moments and not the train wreck you might expect. But that's hardly the best vote of confidence at a time when dozens of other series are waiting in the wings.

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Eric Deggans is NPR's first full-time TV critic.