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Music

The first hint of otherness comes from the voices.

They are five in all, each ragged and weary in his own way, each contributing to "Tears of Rage" on his own timetable, when stirred by some spirit. Sounding less like a polished choir than a wandering militia, they appear displaced, out of time. The voices have no discernable connection to the moment the record arrived in 1968. They might as well be selling elixirs from the back of a horse-drawn rig, moving at the slow, deliberate pace of backroads rural America in the days before [farm-to-table] artisan shallots.

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For over 50 years, Paul Simon has shared his amazing talents with us: first, as a part of Simon & Garfunkel, one of the most important musical duos, and later as a solo artist. Few musicians have had as a critically-acclaimed and beloved career as Simon. He's won 16 Grammys, three of those for album of the year.

In the midst of the country's turbulence in 1968, five musicians later named simply The Band hunkered down in a salmon-colored house in upstate New York to craft Music From Big Pink, an album that brought the rural folk Americana sound to popular music and to the classic album canon.

It's an exciting week for new music. All Songs Considered's Robin Hilton talks to NPR's Rodney Carmichael, Ann Powers, Stephen Thompson and Tom Huizenga, along with WBGO's Nate Chinen about the best releases for June 29. This includes Drake's highly-anticipated double album, Scorpion, Florence and the Machine's tentative turn toward optimism with High as Hope, previously unheard and unreleased music from jazz legend John Coltrane and much more.

Featured Albums

In the video for "Hunger," Florence + The Machine's first single from the new High As Hope, vibrant flower buds and moss bloom atop the stony surface of an old statue: What was once cold and revered, only marveled at from a distance, becomes a lush promise of renewal.

When Beezewax first formed in 1995, its early records recalled the muscular yet melodic riffage of Hüsker Dü and Buffalo Tom — fuzzy guitar chords, fuzzier emotions, hearts on sleeve. What set the band apart, especially on 1998's South of Boredom, was a sweetness possibly gleaned from its Norwegian indie-pop locale.

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